It seemed like their were more amps available and the prices seemed to be reasonable. Fender Bandmaster AC568 Schematic Fender Bandmaster AD1269 Amp Schematic Fender Bandmaster AD1269 Schematic. Twin, Deluxe, Bassman: all game-changing tweed Fender combos that remain at the heart of modern guitar amp DNA. It did seem that the Fender amps were very plentifull. Just added another Gibson GA-5T to make a pair and a bigger brother, a 1965 Gibson Apollo, from the Columbus Guitar Show. Like many amps in this wonderful world the possibilities are unlimited with different tubes, speakers, guitars, cabs, picks, strings, cords, relative humidity, temperature, aaaannnndddd.well I guess we can throw in the player too.īy the way.any suggestions for a replacement speaker for the Leslie 16? The original Utah is.well.crappy.Īlways on the lookout for 60's amps. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp.
#Fender bandmaster vs bassman pro
So anyhoo.a Bandmaster is a wonderful amp. The 50s Fender Bassman was the pro bassists answer to amplifying a great new invention: the Fender Precision Bass guitar. Put on my rose colored glasses, tie-dye shirt, and let the "smoke on the water" curl to the rafters.
I have a LARGE studio with WAY to much natural reverb. Fun! I also have a couple of other cabs but the real neat opportunity is when I split the output to a reg cab and then to my 1968 Leslie 16. I recently plugged into my Kustom 3-15" JBL (1968) cab. My first venture into vintage amp land is my 1968 Bandmaster. I love a Dual Showman.with or without the reverb. There's something for everyone, eh, grammerman. There is only one way to get the sound that you are getting, though imo, and that is with big watts.
#Fender bandmaster vs bassman professional
What we all do know is that your Dual Showman rig, while being a great professional amp, is not goign to be gettting any 'love' from the market. Now that peopel are looking for 'more is less', the small OT helps the BAndmaster and the TRemolux somewhat imho, but hte market may never reflect this. The small OT of the other two amps in the BF era helped to keep the lid down on their value, imho, during the 'more is more' era. Brian SEtzer's use of the 6G6 Bassman has helped to place that amp in vintage market. I agree that the 5F6A's claim to fame as the bassi for almsot everything that is good about old Marshalls puts it above the tweed BAndmaster and TRemolux in value. ACtually, the OP's first post refers to the 2X10 format of the Tremolux.so that puts his question into the 6G 'Blonde' era if not the BF era.
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